I don’t want to seem like a yes-man, but Future’s not putting a foot wrong; ‘HNDRXX’ is gorgeous, a hallucinatory pop/trap/R&B whirlwind that balances pleasure and pain – even innocence and arrogance like they’re the same damn thing. Well, innocence might be a little too strong (we’re talking about a guy who kicked off his last project with, ‘Your baby mama fuck me better when the rent’s due’). Nevertheless, this thing dazzles. ‘HNDRXX’ trades in the unadulterated, head-bopping grit of ‘FUTURE’ for falsetto-led victory laps, decadent anecdotes and heartfelt confessions – bathing them in the melodic warmth of R&B instrumentation from a variety of eras.
I shouldn’t really have to fill you in on Future’s last album, I mean, it dropped last week for fuck sake. Anyway, it turned out to be the best version of what, I imagine, we all expected: a Super Future trapathon. Everything about it was relentless, and I suppose, in some ways, conclusive. He could have left it there. Alas, that’s really not his style; a follow-up was announced. Despite the fact that‘FUTURE’managed to colour inside the lines of his well-recognised formula and still keep things interesting, a further seventeen tracks of pure bass and bravado may have triggered some thumb-twiddling. So, a change of pace was pretty essential.
People seem to be arguing a lot about Future’s hot streak: when did it start, when did it end, or even when – if ever – will it end? Well, it’s safe to say that it started late in 2014 with ‘Monster’. After a messy split with Ciara, Future decided to become a caricature of his new public persona, creating a project typified by three things: desperation, punishing low-end and crushed auto-tune.
The upshot: some of the most emotionally compelling hip-hop in a while – somehow managing to convey despair at 95 bpm. Following this came a slew of albums and mixtapes, namely: ‘56 Nights’, ‘Beast Mode’, ‘DS2’, ‘Purple Reign’, ‘What a Time to Be Alive’ (with Drake) and ‘EVOL’, all of which stuck to that same aesthetic more or less – and all of which were homeruns in their own right. With his latest album, then, the streak’s still intact; ‘FUTURE’ doesn’t reinvent the wheel, however, it’s an excellent demonstration that the Atlantan has his particular brand of punch-drunk trap down to a fine art.
In anticipation for his third studio LP, ‘Starboy’ (which should be with us by tomorrow) The Weeknd has just dropped a short film, ‘Mania’, comprising snippets from various tracks slated to appear on ‘Starboy’. These include ‘All I Know’ (feat. Future), ‘Sidewalks’ (feat. Kendrick Lamar), ‘Secrets’, ‘Die For You’, ‘Party Monster’ and ‘I Feel It Coming’.